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Is God Is (2026, directed by Aleshea Harris) Review by Lauren Malara Is God Is tells the story of twins Racine and Anaia. As children, they were disfigured in a fire started by their father. As adults struggling to find their place in the world, they receive a message directly from God, their mother. Vengeance is mine, said the Lord. With that, the twins set out on a pilgrimage to murder their father. Holy opening sequence. From the start, it is clear we are in for a wild ride. The fast-paced storytelling is complemented by screenwriter and director Aleshea Harris’ visual risk-taking. The film, like the stage play it is adapted from, is poetic and visceral. Most refreshing of all, every character is Black, yet there is not a single mention of racism. Thank God! The story is dark, but at the forefront is Black joy and beauty. Think Bill Gunn. The film is delightfully Black, from Janelle Monáe singing Prince’s Thunder to unforgettable dialogue like “YOooooooU AIN’T SH*T DEVIL!” Then there are the gorgeous images of Blackness. Talking about waist beads, box braids, and drip. Filmed in New Orleans, the twins are serving looks on the levees, beneath the Crescent City Connection, and surrounded by Spanish moss hanging from old oaks in City Park. Ultimately, this is a story about what is seen and unseen. Acts of violence are hidden from the audience, until they aren’t. Much like the twins, we are allowed to turn away from the horrors of the past. We are given permission to overlook that which is too painful to see. But how do we heal scars if we ignore them? Is God Is asks us to face ourselves, accept the ugly truths, keep faith and hold on to hope for a happy ending. Is God Is is playing at theaters across the city Comments are closed.
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