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first night review: stanley and his demon @ the new marigny theatre

1/8/2026

 
stanley and his demon, new Marigny theatre, New Orleans

​Stanley and his Demon @ The New Marigny Theatre

Review by Todd Perley


Stanley, as the first-and-a-half-coming of Christ, is grifting his congregants, suggesting a tithing of
eighty per cent of their income, which they are more than happy to pay, such is the spiritual succor they receive from The Church of Stanley.

When a man brings his possessed wife into the church asking for an exorcism, Stanley and his wife Esme see the opportunity for diversification, and expand their outfit to demonic dispatching at five G’s a pop, a most lucrative side-hustle indeed.

The demon Tansanazel (“but call me Chad”) attaches itself to Stanley, promising to possess and
relinquish any number of people he desires ... for a price. As any self-respecting evangelical holy man would, he takes the deal with the devil, with dollar signs in his eyes. Business is booming, but what does the demon want in return? Reform of the Church of Stanley. Less 700 Club, more community outreach, feeding of the needy, and general altruism. Y’know, Christ-y stuff. Stanley and Esme begin to rue the day!

Mariana Santiago’s new play is a darkly comedic twist cut from Faustian cloth. Peat Wolf’s
Stanley is repulsively charismatic as the cult leader, and Mia Frost as Esme, the real brains of the
operation, is even more deliciously despicable. His followers are hilariously clueless sheeple who don’t think it’s strange at all that they’ve been possessed by a demon several times each in the last few months.

Liz Johnston-Dupre as the initial possessed woman, crawls around the floor like a writhing, twerking Linda Blair. A scene of exposition has never been so fun to watch. Thugsy DaClown, playing God most divinely, pays a visit to Stanley, offering him a get-out-of-hell-free card, and we have to wonder who’s the real demon in this play?

I’m always down for a good old-fashioned skewering of organized religion that illuminates the
inherent hypocrisies, and Santiago’s play effectively spins everything on its head with nihilistic
merriment. A most catty approach to dogma. Meow!

Stanley and His Demon plays at the new Marigny Theatre through January 12th. Click here for more information and ticketing

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