First Night Review: The Wiz @ The Saenger Theatre, New Orleans
Review by Dorian Hatchett Frank L. Baum’s saga of The Wonderful Wizard of Oz and its expansive universe has captivated audiences since the initial novel was published in 1900. Every generation since has had its own adaptations, right up to the most recent craze surrounding the blockbuster movie adaptation of Wicked. One of the most unique approaches to the world of the Emerald City and the cardinal witches was the 1974 production of The Wiz, which portrays the story of the first Oz book through the lens of then-contemporary black culture. When the show made the jump to Broadway in 1975, it was groundbreaking. The first Broadway production to feature an all-black cast, it also managed to get a nod from the Billboard Music Charts with its single “Ease on Down the Road” covered by a disco group. Despite mixed critical reviews, the show managed to win eight of the nine Tony Awards it was nominated for during its first year running. In 1978, the show was adapted into a feature film, starring Diana Ross as Dorothy (and the feature film debut of Michael Jackson, as the Scarecrow). The current touring production in the US comes after numerous Broadway revivals and international adaptations. To say that this show, never a unanimous critics darling, has had an impact, would be a grave understatement. This tour is certainly living up to the hype. Dana Cimone as Dorothy is imminently relatable as a teen girl far from the home she grew up in, but when she sings she channels the voices of her musical theatre ancestors. This girl has pipes. Elijah Ahmad Lewis, D. Jerome, and Cal Mitchell are superb companions as the Scarecrow, Tin Man, and Lion. Their characters are as much physical comedy as steadfast companions, and the galvanizing force of the quest to take down the witch who has wronged them each in turn is as funny as it is ambitious. The costuming of this show deserves special mention. Using high-fashion as an element of storytelling has always been a pillar of this show, and the costume designers here did not disappoint. Colors so saturated they seem to absorb and reflect the stage lights, fantasy hair and makeup, and a generous application of metallics and rhinestones recall the disco era the show hails from, but brings in a modern finish that feels relevant and new, even for those of us who grew up watching the movie over and over. Under the expert direction of Schele Williams, the cast and choreography are polished, the voices are clarion, and the costumes are to die for. Every detail maintains the Broadway flair that we have come to know and expect from Broadway in New Orleans and the Saenger Theater. The Wiz runs at the Saenger Theatre through May 18th. Click here for information and ticketing Sign up for your free, weekly arts and culture newsletter: Comments are closed.
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