Joe & Marilyn: A Love Story @ WESTWEGO PAC

FIRST NIGHT REVIEW: JOE & MARILYN: A LOVE STORY @ WESTWEGO PERFORMING ARTS CENTER
Review by Todd Perley

​Of Marilyn Monroe’s three marriages and affairs, her liaison with Joe DiMaggio had the longest run, and perhaps the strongest connection. Joe & Marilyn follows the relationship between the
Yankee Clipper and the Blonde Bombshell from the night they met, through their marriage, their divorce, and up until her death a decade after it all began (I assume that’s not a spoiler?).

​It was DiMaggio who came to her aid, post-divorce, when she was briefly institutionalized, and he organized her funeral, and kept it small and intimate. The play even alleges they were flirting with the idea of getting remarried (because that works well, as Taylor and Burton demonstrated some years later...).

DiMaggio’s career when he met Marilyn was on the wane. Recently retired from baseball, he was still wildly famous as being the MVP of...sheesh, all time, right? And while Monroe’s career had already begun its trajectory when they met, her star was on the rise, as his was relegated to publicity shots and appearances. This must have tweaked his 1950s nose in a decade which frowned upon the wife being the main breadwinner, and his frustration and jealousy is hinted at, and physical abuse briefly alluded to.

Mid-century sex roles, compounded with hounding public scrutiny of every move of the hyper-famous couple likely played a role in turning the marriage into a doomed crucible. Speaking of crucibles, her subsequent marriage to playwright Arthur Miller fared even worse.

Through Willard Manus’s writing, Janet Shea’s direction, the standout performances of Jonathan Mares and Sarah Colbert Cutrer dive deep and lovingly into the character. Joe & Marilyn does not read as a tragedy, despite its ending with Marilyn’s overdose.

Mares and Cutrer have undeniable chemistry in this two-hander - they bear up extremely well, carrying the heavy load of a decade-plus recap of a tumultuous, but mutually caring, and beautiful relationship. Mares conveys equal amounts of tenderness and frustration, while Cutrer is as sexy, intelligent, and layered as Monroe’s own performances. Our heroes are definitely batting a thousand here.

Joe & Marilyn plays the Westwego Performing Arts Theatre through 23 March - click here for information and ticketing.​

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